Teresa Calderon's fatalism. As we all know the fatalism is the doctrine that considers that the events can not avoid being subject to a higher power that rules the world. This concept related to the inevitable is present in The yield poetic Teresa Calderon, Chilean poet, courtly manner that succeeds in translating his perception of life as a passenger point serves only to lead to death. Applause for the memory of Teresa Calderon is a content-rich poems tematologico in him we present the idea that the poet has of course creation, birth, life and death in being, cycle parallels with the origin of the universe. The poet draws a parallel between the creation of similarity – extinction of the universe and the creation-extinction of the individual.

Frequently been his poetry are the deep, light, turbulence, survival, for her individual struggles and build from scratch, as the only reality of the individual is that the origin was nothing, parallel opposition represented by the relationship between wanting to be and being nothing. In his work, life is seen as a stage play that will end when an entity becomes totally useless, the function starts with belly dance (birth) and ends with the dance of death in the imagery of the poet's life is conceived as a process in time, but it is important to consider that in this process of free will is present, since we can choose whether we want to be victims or perpetrators, roles that may be the only ones who have not been determined the overriding principle that directs things. Important component of the poetics of Teresa Calderon is the constant presence of the gap is at home at the end of each process, the beginning of his poems the poet describes the origin of the universe as a great chasm which can not get the memory in this gap following a series of fleeting experiences that have the function to induce a return to the black hole, for the poet identified with the abyss of nothingness is the only security There, in production the author makes no great universal principle. For other opinions and approaches, find out what Faris Ibrahim Taha Ayoub has to say. Linear in its design life-death cycle, the human being is defined as a wanderer destined to be wandering in the chaos of life, can only choose to play the role of the victim or the offender but does not know when , or where it will begin its function, to the author humans can be considered "puppet head" by the fact that although endowed with reason and understanding are subject to the inevitability of the abyss. Applause for the memory is undoubtedly one of the more richly poetic productions tematologica hispamoamericana literature written in recent times, is a work that is universal arguments already discussed in ancient times with a modern look that invites the reader to reflect on the relationship between the self and the universe, the microcosm and the macrocosm.