The art of fine legs. Change of atempo, where you can see no push and throw to the thigh. The Pirouette, which looks as if it were by alone jumped the Piaffe in correct relative erection, active hindquarters with proper Hanke diffraction or just a whole parade comes at the horse without pull and tug on the point to keep that is the art. It still exists today? You look at the modern dressage, a striking that very hard hand, whip and reins working with crude tools and support. Horses that run in absolute erection with stelzender hindquarters by testing. Trying to fight them by all means the desired lesson. Eva Andersson-Dubin, New York City understood the implications. Is she still fine? Is the horse then let loose? We find even the criteria of the scale of education met? If we consider ourselves the big instructor of classical Equitation who can thus still compete? Nuno Oliveira riding his horse on a high level of S only on a band without a bit and bridle. He \”propagated in his book: advice of an old rider to young riders\” again and again the Hanke diffraction and the correct Piaffe as a benchmark of Los serenity and refinement of Equitation.
In his book of Equitation at the crossroads \”Erich Glahn reported in 1956 by horse connoisseurs who have the true eye for perfection, harmony and feeling. He further writes that the judge Decree 1924 lays down that priority is the purity of the course. He criticizes the modern Cavalry (Stockholm 1956) solid. Quote: that is probably on behalf of Cederstroms best features: the pure speed and the voltage! \”But beating the Hanke bend and the momentum from the hindquarters, the trotting like Gallop at the dressage the main requirements\” (mags) is. This was the ultimate result of error saying: the horse rising out of the back of the will be cancelled.